The Royal Scots Dragoon Guards are releasing an album later this month.
The producer, John Cohen was interviewed this morning on NPR. As it turns out, Amazing Grace is one of the feature songs of this album. And, as it further turns out, this song, by this group of pipers, was a huge hit in Great Britain 30 years ago(#1 single for a few weeks).
The making this album was, for Mr. Cohen, a very moving experience. I don't for a second wonder why. Mr. Cohen said something during the interview that caught my imagination. When asked about working with a bagpipe regiment, Mr. Cohen said this:
"They are very, very loud. When you are in a room with a bunch of pipes playing, its a big noise. They weren't designed to be played in recording studios, they were designed to be played on the tops of mountains."
Exactly.
Just then, when I heard those words, I understood why, every time I hear the bagpipes, I am so deeply moved to the core of my soul. This is a very ancient instrument, and it really does not belong indoors; it belongs on a mountain top.
As I reflected upon Amazing Grace, the simple haunting majesty of the pipes, and then my faith, I thought to myself, does it belong "indoors"? Should the music be bottled up?
Or rather, should it be played happily in the streets, in the places where the homeless are? Should it be sung, softly, in the quiet corners of life, where others are hurting? Can my faith song, be played gently and warmly for others, for those who do not yet know the melody? How can I play this music in a way that might move others to come, and listen, and perhaps join in the song?
And should it not be played, in the end and all throughout, loudly, on the top of a mountain?
I will entrust you to figure out your own answer.
The producer, John Cohen was interviewed this morning on NPR. As it turns out, Amazing Grace is one of the feature songs of this album. And, as it further turns out, this song, by this group of pipers, was a huge hit in Great Britain 30 years ago(#1 single for a few weeks).
The making this album was, for Mr. Cohen, a very moving experience. I don't for a second wonder why. Mr. Cohen said something during the interview that caught my imagination. When asked about working with a bagpipe regiment, Mr. Cohen said this:
"They are very, very loud. When you are in a room with a bunch of pipes playing, its a big noise. They weren't designed to be played in recording studios, they were designed to be played on the tops of mountains."
Exactly.
Just then, when I heard those words, I understood why, every time I hear the bagpipes, I am so deeply moved to the core of my soul. This is a very ancient instrument, and it really does not belong indoors; it belongs on a mountain top.
As I reflected upon Amazing Grace, the simple haunting majesty of the pipes, and then my faith, I thought to myself, does it belong "indoors"? Should the music be bottled up?
Or rather, should it be played happily in the streets, in the places where the homeless are? Should it be sung, softly, in the quiet corners of life, where others are hurting? Can my faith song, be played gently and warmly for others, for those who do not yet know the melody? How can I play this music in a way that might move others to come, and listen, and perhaps join in the song?
And should it not be played, in the end and all throughout, loudly, on the top of a mountain?
I will entrust you to figure out your own answer.
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